Architecture
Strategy R&D
Audit your innovation and translate it into a clear, market-moving narrative blueprint.
Services & Pricing
What we make, how it is made, and what it costs
Predictable executionUnpredictable creativity
Planning & tests
Prototyping
Build a digital twin of your film to lock visual logic before expensive production begins.
Worldbuilding
Production
Run workflows for on-set cinematography and advanced 3D/VFX production.
The magic
Editing
Assemble the storyline, integrate visual effects, score music to create emotional rhythm.
The universe
Delivery
Scale the core film across all formats and languages to your entire multi-channel funnel.
Maximize your ROI
One shoot, six finished pieces. The master film, the cut-downs that keep the funnel warm, verticals for Reels and Shorts, square edits for the feed, stills for decks and press, and dubbed versions for any territory. All priced in, none billed as extras.
Tap one to see what it is for
Core film
AI Films
For testing an idea fast
Prove a concept or pitch an idea fast, from rough mockups to polished AI realism.
Budget$3,900 – $8,000
2D Films
For software and services
Software, workflows and data explained in clean motion that reads on any screen.
Budget$4,100 – $8,600
3D Films
For hardware and deep tech
A product too small, too complex or not built yet, shown with total clarity.
Budget$7,100 – $14,700
Live Action
For people, places and brands
Real people and real places, on location, in a studio or on an LED stage.
Budget$5,300 – $11,000
Live Action × Graphics
For products in the real world
Live footage carried further by your interface, your data or your product in 3D.
Budget$6,000 – $12,500
Move the dials: each range is priced live by the studio's own calculator. It is a quick sketch, not a quote. The exact figure goes in writing after the discovery call.
Map your project, see the price
In development
The estimator opens soon
It maps a project question by question and prices it as you answer, against the studio's real hours, not a table of averages. We are calibrating it on finished films before anyone is quoted from it.
A:
No. Your engineer approves the script before a single frame is made.
You start with one technical session: your engineer or product lead walks through the product itself, not a deck. You get the script, you red-line it, and nothing goes into production until your subject-matter expert signs off the wording. For FS Group that meant technical passes before anything was rendered, and their CEO could stand in front of the film at an expo and take questions.
A:
You own 100% of it on delivery, and the NDA is signed before the first call.
The intellectual property transfers to you when the film is delivered: transferred, not licensed. Your footage and project files are kept on secure servers. If you are an agency and need us invisible, we work fully white-label, and your client never sees our name.
A:
About three weeks for an AI film, six to nine for most 3D and live action. The shortest possible is eleven working days.
That floor matters for your launch date. Every film goes through research, prototype, production, post and delivery in order, and that chain takes eleven working days however many people work on it. So if your date falls inside it, you hear it straight away rather than after a deposit, and any date you do get comes with the schedule behind it.
A:
About four hours over six weeks, and only materials you already have.
Your part is one technical session, one script review and two rounds of notes on frames. Between those you follow progress through milestones, without extra meetings. Send whatever exists: brand guidelines, CAD or product files, design files, archive footage. If you have none of it, that is fine. There is nothing to prepare before we start.
A:
You see the film while changes are still cheap.
Before production you get prototypes: AI-generated and animated previews that settle how the film looks while a change still costs an afternoon. After that you follow milestones and leave frame-accurate notes, so there is never a version you see for the first time at the end.
A:
You get six formats from one production, included in the price.
The master film, short teasers, 9:16 verticals for Reels, Shorts and TikTok, 1:1 feed edits, 4K stills for decks and press, and dubbed versions for any market. Each is cut for where it will live, not a landscape film cropped square at the last minute.
A:
No. You can order any single part on its own.
An edit, a colour grade, a sound mix, motion graphics, a logo animation, VFX clean-up, subtitles, localisation, or reformats of a finished film. Each has its own price, and the footage does not have to be ours.
A:
No. Prices start at about $1,400, they are published, and you get your exact figure in writing before anything starts.
You can see the ranges for all five scopes on the services page (from about $1,400 to $27,000) without booking a call first. After the call you get a fixed figure, split into milestones you pay as each one is delivered. No hourly billing and no surprise change orders.